What they wear in "My Inconvenient Duke"

Margaret Sarah Carpenter, Portrait of Lady Harriet Georgiana Brudenell (1799-1836), married Richard William Penn Curzon-Howe, 2nd Viscount Curzon (later 1st Earl Howe) in 1820. Portrait date 1834.

I’ll be the first to admit that 1830s women’s fashions are baffling and not necessarily attractive to 21st century eyes. But for a writer, they offer solid gold material. The male characters marvel at what the women are wearing, although these men are mainly preoccupied with a strategy for getting the lady out of the clothing. And if a man gets lucky, and gets to test his strategy, the process makes for fun, because there are so many layers, and one must deal with tapes and buttons and hooks and eyes. Oh, and those sleeve puffs, too.

As I’ve mentioned more than once, I also like the way women made themselves so big with these ensembles—not simply the big sleeves and swelling skirts, but also their hair and their headwear. The 1700s had big hair, and so did the 1980s, but the knots and rolls and swirls of the 1830s are something else altogether. It’s amazing what they could do without our blow dryers and gels and pastes and lacquers. Instead, it’s pomatum (aka pomade, and made of grease of some kind and natural scents) and pins and various hairpieces. There’s nothing shy and retiring about these fashions. And none of the “less is more” way of thinking. It’s “more is more.” And I find it fascinating and stimulating.

Of course, when you read, you’ll picture the clothing in a way that’s appealing to you—and that’s as it should be. Reading let us use our imagination.

Even when I write descriptions, I usually keep details to a minimum. This is partly not to slow down the story but also to allow readers to make the mental image they want. For instance, in Chapter 2 of My Inconvenient Duke, Lady Alice wears “a redingote of deep onyx.” That’s it. Not that I’ve been able to discover where that came from. After searching my numerous books and the images on my hard drive, I’ve begun to suspect that I made it up or created one dress from a couple of fashion descriptions.

But a redingote is, basically, a close-fitting (from the waist up) dress that fastens all the way down the front, like a coat. And the color onyx is not mysterious, unlike so many other fashionable color names one encounters.

In the gallery below you’ll see most of the clothing mentioned in the book. Many of the images will be slightly distorted. This is because I photographed them from my copy of the 1832-33 The World of Fashion, in which the monthly magazine is bound. It’s very old, very thick, and I don’t have the right (i.e., expensive) kind of scanner for this kind of work.

Another eBook deal: "A Duke in Shining Armor" is $1.99

It is my pleasure to report that from now until 1 March, the e-edition of A Duke in Shining Armor, the first book in the Difficult Dukes series, is on sale in the U.S. and Canada for $1.99.

I wrote this series in a disorderly fashion. Ripley’s story came first, and that was not a problem. The problem was that, practically from the beginning, I knew that (a) one of the dukes, Blackwood, was already married to Ripley’s sister, Alice, and (b) something was amiss in the marriage.

Making things difficult for myself is nowhere on my list of favorite things to do. But my brain has its own ideas about the stories, and since that brain has been in my skull my whole life, I have to work with it. So A Duke in Shining Armor came first, as it was intended to do. Then I planned to tell the Blackwoods’ story, because, after all, I had raised questions about them. But they weren’t ready for their closeup, so it was Ashmont and Cassandra next, in Ten Things I Hate About the Duke.

This did not make the third book any easier to write. In fact, it made the process hellishly difficult, with the additional aggravation of keeping track of who did what when, because even in fiction it’s a bad idea to have a character in two different places at the same time. Unless it is science fiction or fantasy, neither of which is in my skill set. And somewhere in all this mess came the writer’s block which, if you’ve been following this blog for a few years, you know all about.

It did finally dawn on me that what I didn’t want to write was a whole book about a troubled marriage. This is what led me to go back in time, to their courtship, and the fly they didn’t realize was in the ointment. This fly, which eluded me for ages, turned out to be an issue I ought to have pinned down right away. My brain knew all along, but as you have no doubt deduced, it chose not to let me in on the secret until it was good and ready. Still, it did all come together, as a sort of combined prequel and sequel, and the result, My Inconvenient Duke, made its debut in January.

I’m telling you all of this because a reader asked me why the third book starts before the first book, and I believed hers was a not unreasonable question. But my hope is that, wherever you start in the series; you start somewhere, and wherever you start, you have an agreeable reading experience. And if you’d like to start now—or lure a friend or family member or complete stranger into starting now—you can do it for the next few weeks at a bargain price.